There are 10 messages totalling 810 lines in this issue. Topics in this special issue: 1. 'The Void' on SABC 2. DVD's 3. Nostalgia - HL Haute Couture 4. The Void (no spoilers) (2) 5. The Void ... Amanda Tapping interview (5) ---------------------------------------------------------------------- Date: Fri, 2 Aug 2002 16:33:33 +0100 From: Jette Goldie <jette@blueyonder.co.uk> Subject: Re: 'The Void' on SABC > Nina wrote: > >Amanda Tapping lost huge points w/ me by stating in interviews her blushing > >relief that AP had the expertise in love scenes to avoid their touching > >intimate "bits" ... what a freak. > and Marina asks: > Just out of curiosity, Nina, why would that make her a freak? > Because she should be used to love scenes, being an actress? and a happily married woman to boot. Every actor I've met said they found love scenes embarrassing and would prefer not to "touch bits" with semi-strangers in front of several dozen other semi-strangers and lots of lights, cameras and other equipment. Jette (aka Vinyaduriel) "Work for Peace and remain fiercely loving" - Jim Byrnes jette@blueyonder.co.uk http://www.jette.pwp.blueyonder.co.uk/ http://bosslady.tripod.com/fanfic.html ------------------------------ Date: Fri, 2 Aug 2002 12:08:05 -0400 From: Lynn <lloschin@sprynet.com> Subject: Re: DVD's On Fri, 2 Aug 2002 05:30:58 -0400 SenseiRob@aol.com wrote: > lloschin@sprynet.com writes: > > > Ya know... for all the past, present and most > likely future faults of the > > Highlander catalog, nobody ever established > that anything was wrong with the > > DVDs. There are plenty of cheap DVD players > out that don't handle > > dual-layer discs well. > > Cheap DVD players? So you're saying that these > particular DVDs are only meant to be played in > expensive, elite (that is, not cheap) systems? No. What I said was that some cheap (less than $100) players cannot handle dual layer discs. There is nothing "arbitrary" or "exclusive" about such discs -- as I mentioned, they are in fact common in TV season sets, which have a lot of material to cover. It's such players that should bear a warning label, not the discs, although to me the cheap price is equivalent to a warning label, not all purchasers are aware of what they're getting when they buy a super-cheap player. > You're not actually saying that it's the > DVD player owner's fault if there are > incompatibilities? I'm saying you get what you pay for. If you buy a $79 DVD player, you get a $79 DVD player and all its problems. > I'd blame the publisher > alone for using their own (proprietary?) > incompatible methods, and the word *should* be > put out if their DVDs are not satisfactory for > general public consumption. Who said this? Are you serious? There have been a relatively few number of people (like, under 10) who've mentioned problems with the DVDs, on this or any forum that I've seen. And many people who've bought the DVD's and haven't had any problem whatsoever, a fact you seem to ignore. Quite a leap of logic that the DVD's are "proprietary" use "incompatible methods" or are not useable by anyone with a halfway decent DVD player. Good grief. >"No proof"? What proof do you demand? "Proof" in this instance would be a statement that said "I went to a friend's house (or electronics store) and tried the 'bad DVD' in a player of a different model than the one I have at home, and it skips in the same place" (or whatever the problem is). Then it would at least lead to a logical inference that the problem was the disc, not the player. > Shame on you for dismissing such information as > being unfair, wrong, and inaccurate. And I'd say shame on people who scream "bad disc! bad disc!" in public without first doing the simple troubleshooting maneuver of taking the disc to a friend's house or an electronics store and trying the disc on a different player. That is an incredibly easy way of determining the most likely cause of the problem. Yet everytime I've asked whether that was done, the answer is no. Without trying something so simple to determine the facts, the "information" that such people are giving out is not reliable, accurate, or anything of the sort -- it's a conclusion that's been jumped to without any facts to back it up. So you're right, any reports of problems without such troubleshooting measures are indeed anecdotal, and therefore unsupported by any evidence, and shouldn't be relied upon to state the generalization that there's any widespread problem with the DVDs. Lynn ------------------------------ Date: Fri, 2 Aug 2002 12:20:20 -0400 From: KLZ <kzimmerman3@cox.net> Subject: Re: Nostalgia - HL Haute Couture I have two HL T-shirts in rotation: The black one from - um - one of the Denver cons, I think, and the one from the Anaheim celebration. That one's got a really pretty design on the back and I love to wear it. The black one, for some reason, has gotten very, very soft and it's the one I wear when I want something that's really comfy. Today, I'm using Connor's dragon-head katana as a hair-pin through a thick braid knotted up in the back of my head. Scares the heck out of the managers, it does. Useful during code reviews, too. I've taken out a few QA ppl, too. :::: evilcackle :::: ZK ------------------------------ Date: Fri, 2 Aug 2002 13:21:54 -0400 From: "M. Vrzoc" <vrzoc@yahoo.com> Subject: Re: The Void (no spoilers) --- Automatic digest processor <LISTSERV@lists.psu.edu> wrote: > Heads up all South African list members.... 'The Void' is on SABC 1 this > Saturday (3 Aug) at 8pm, the old Queen of Swords slot. snip > stars ........<drumroll> Adrian Paul *and* > Amanda Tapping (for all Stargate fans out there). It must've been filmed > in Vancouver becuase the cast list contains a few other familiar names. More recently the movie premiered in Canada on Space:The Imagination Station in April and then was rerun in early June. It is available commercially on DVD at <$20US but the VHS price is something like $70US ... Not the most exciting sci-fi type movie (special effects... huh!, and the basis in fact questionable) ever made but lots of AP face time which most "female" HL fans will appreciate and lots of Amanda face time (as she's the heroine) which "male" SG-1 fans will appreciate. AP plays vulnerable and cute as well as he ever has and, as a real plus "you'll like him, you'll really, really like him." :) PS: They got a body double for Amanda for the nude love scenes but AP stepped up to the plate and did his own. ===== M. Vrzoc vrzoc@yahoo.com ______________________________________________________________________ Post your ad for free now! http://personals.yahoo.ca ------------------------------ Date: Fri, 2 Aug 2002 13:36:51 -0400 From: "M. Vrzoc" <vrzoc@yahoo.com> Subject: Re: The Void ... Amanda Tapping interview > Amanda Tapping lost huge points w/ me by stating in interviews her blushing > relief that AP had the expertise in love scenes to avoid their touching > intimate "bits" ... what a freak. She also said she had a no nudity clause > so they used a body double, & it really shows in the film--very badly done. Just so people get a sense of the context in which AT made this statement, I'm including the ENTIRE interview from Cult Times. Sorry for the copyright violation ... Cult Times #69 June 2001 Interview with Amanda Tapping by Thomasina Gibson Who'd Live in A House Like This? ...scattered, all over the shop, are gifts from adoring fans. Outside, sheets of rain steadily soak a huddled TV crew. Where else could we be but on location with Stargate SG-1? Now we know what it's like - being ordered around by Stargate SG-1's Major Carter. "Come on over to my place," said Amanda Tapping, "take a look at where Sam Carter lives." Knowing what's best for us, and naturally curious to visit the home where the Major wends her weary way after a hard day at Stargate Command, Cult Times immediately jumped on a plane to Canada. They say the sun shines on the righteous, so there must have been some seriously naughty people around last month. Having decided to ignore the smart advice about dressing for cold, wet conditions (Stargate SG-1's publicist has recommended that for years and it's never rained once) we found ourselves soaked to the skin and chilled to the bone, having arrived at their location site during what can only be described as a downpour of biblical proportions. Still, the warmth of the welcome extended by the show's cast and crew made it all worthwhile. Take it from one who knows - production teams rarely break into smiles nor offer hugs to journalists who appear in their midst. The residents of the city are used to carrying on in the face of the paraphernalia that accompanies a film crew, and the good folk living in the North Vancouver suburb chosen as the location base appeared oblivious to the activity going on in their seemingly ordinary street. Well, it would have been like a regular street had it not been for umpteen police cars scattered across the road; the big, white van disgorging space-suited figures carrying radiation detectors; and the arc lights illuminating the whole scene even though it was barely midday. Sam Carter's home is actually a colonial style property belonging to a local resident who has given permission for the house to be used as a set. If you ignored the sight of the neighbours making valiant attempts to stay behind the drapes and blinds at their own windows, and the team of camera operators, sound technicians, runners and assistants scurrying to and fro between the very lovely house and a makeshift rain shelter opposite, it could resemble an average, quiet, suburban scene anywhere in North America. Richard Dean Anderson (Colonel Jack O'Neill), who says he'd only popped outside to see what was going on, has managed to drench one of the crew. Apologizing profusely, Anderson innocently claims, "I was only trying to direct the water off the tarpaulin," but the fact that he'd waited till the victim stood directly under the point where the water would run off did not go unnoticed. Meanwhile, we're huddled under the barely adequate shelter observing executive producer Michael Greenburg direct the second unit. Eager to not get any wetter ourselves, we decide to venture inside Major Carter's house. Just inside the entrance to the two-storey building, the 'bootie police' pounce on us to make sure that no one ventures any further with wet shoes. Made out of the same material as disposable wash cloths, these very fetching, elasticated over-boots make sure that the flooring inside the building is protected at all times. Whoever said working on a film set was glamorous has obviously never had to wear these. Squeezing past the numerous bodies packed into the hallway preparing for the next scene, we emerge into a very light, homely living room to be greeted by the major herself. "Don't I have a nice house?" she beams. "Do you like my river rock fireplace? I built it myself. And I have an amazing car. Did you see my car?" I did. Silver grey and gorgeous, it's parked outside the front door. As excited as a schoolgirl, Amanda Tapping is thrilled to finally be given the opportunity to show a private part of her character's life. "This is a huge, huge episode for Carter," she begins. "We get to see where she lives. I get to wear normal clothes. I drive an amazing car. It's sweet. You know what? I think Carter is very cool. She has a 1940 Indian motorcycle; a 1961 beautiful, mint, vintage Volvo and she's got a Harley in her garage that she's working on, too. How great is that?" Agreeing that it certainly is wonderful, we ask about an interesting rumour that we've heard about Carter's life. Bashfully, she reveals, "I have a man. Of course, at first nobody believes he exists. He's a bit like 'my imaginary friend'. Actually it's a great episode for me because everyone thinks I'm crazy and plays into the fact that Carter has no life outside the SGC. They play into the fact that she never relaxes, so they keep saying things like 'take it easy', 'rest' and 'go home'. So you get to see her house and see that she does have a normal life." "My boyfriend is played by Adrian Paul from Highlander, and there is a very rude scene" Scoffing at the very idea the actress shrugs, "It's not like she's a complete loser, you know. Well, she might be a little bit of a loser, but not totally." Flapping the edge of her cardigan whilst waving her foot about, she goes on. "I'm loving this episode. I'm wearing funky clothes, well, normal clothes, and I'm out of my army boots!" she yells. "Look, I'm wearing ordinary shoes." Clearly used to these impromptu outbursts, the rest of the crew give Tapping's feet a brief glance before carrying on with their work, although make-up artist Jan Newman can't quite smother a little giggle. "What else can I tell you?" Tapping wonders, unperturbed. "The second episode in was a great episode for Christopher Judge [Teal'c] - he did a terrific job. We've got scripts up to episode five but that's all I can tell you because, of course, actors are the last to know what's going on. I don't know if we 're doing a sixth season or a movie or both." According to her fellow actors and colleagues, one of the most endearing things about this woman is that she falls for any sort of joke. Teasing her, saying that we know what's going to happen but won't tell her, Tapping jumps up and moans, "Oh, for crying out loud. I'm going to have to wait till I read about it in this magazine, aren't I?" Tapping may not have been able to shed much light on the future of Stargate SG-1 but she has lots to say about the film she made in the hiatus between Seasons Four and Five. "I did a movie called The Void which has already been pre-sold to Europe." Smiling, she says, "I had the lead and play a physicist again. I only get to play smart women, I don't know why, but this time the character does have a life. She actually has sex - which Sam Carter never does." Perish the thought! "My boyfriend is played by Adrian Paul from Highlander, and there is a very rude scene." Blushing to the tip of her head, she smiles, "Now I've only ever done one love scene before and that was for network television, so it was very safe. But this is a movie - which is not so safe." Speaking very slowly so I don't miss a word, she explains, "I have a very strict no nudity clause in my contract, so the boobies you see in this movie are not mine. I haven't seen the finished piece yet, so can only hope they're nice. It's a very strange thing being an actress with a no nudity clause and then realizing that they are going to substitute your body and people are going to think it's you. They are supposed to think it's you." Grateful for her co-star's professionalism, Tapping says, "Adrian was wonderful to work with. He had done a lot of love scenes and knew exactly what was OK. He knew exactly where to put his body so that we didn't have to touch, you know... bits. He's a lovely person. Of course, there is no comparison to Richard Dean Anderson, who is the best, but he was lovely all the same. Sparing her blushes - Tapping had become all flustered by this point - we turn to another source of delight, which was the actress's first encounter with veteran actor Malcolm McDowell (A Clockwork Orange). "I was so terrified about working with him in The Void because he's a legend, but it turns out Malcolm is one of the nicest and sweetest people I have ever met. In the first scene we rehearsed together he comes in and says in that wonderful, wonderful voice, 'You've been a very busy and a very naughty girl', and though I'd literally just met him I went to say my first line and just burst out laughing because Malcolm McDowell bad called me naughty." The very thought sets her off again, so to calm down she concentrates on bet present home. "Have you seen the pictures?" she queries. Indicating the photographs liberally dotted around the toom, Tapping proudly shows off her teal family. "There's my grandmother, who is 100 years old, and my grandfather who is like an English version of Elmer Fudd. And that's me and my twin." Although she is only ten months old in the picture, Ms Tapping has hardly changed a bit. The smile and the sparkly eyes are clearly evident. "I wanted the place to look like my own home so I brought in some of my personal things." Pointing to two quilts that cover the settee and chair she says, "Those were sent to me by a fan. Quite a few of the things in here were. I brought them because my fan mail is just piling up and I haven't had a chance to answer everyone but then realized this is something I can do to thank people. I can have their gifts in my episode." Tapping is most insistent that people refrain from sending her things and states, "This is just a general 'thank you' to acknowledge all the fans, all they've done for the show and the blessings they bestow on us. Nothing they do is taken for granted by any of us." It's almost 7pm and most of the cast and crew have been here since early morning, but there are still some scenes left to shoot. Following Tapping down to the garage level, we're there for a further hour or so whilst the 'discovery scene is rehearsed and blocked. They may be nearing the end of a 14-hour day but humour is still high on the agenda. Privileged to find out what the big secret is, Michael Greenburg - this time huddled in a shelter outside the garage - warns that the publicist may have to resort to axe murder if we reveal said secret. He needn't worry. All he has to do is threaten to stand us out in the rain for hours next time we visit Stargate SG-1. You'll have to watch the episode on Sky 1 this autumn to find out for yourself. ===== M. Vrzoc vrzoc@yahoo.com ______________________________________________________________________ Post your ad for free now! http://personals.yahoo.ca ------------------------------ Date: Fri, 2 Aug 2002 19:11:47 +0100 From: "John Mosby (B)" <a.j.mosby@btinternet.com> Subject: Re: The Void ... Amanda Tapping interview Er....not sure you needed to post the entire interview to make the point. I think a paragraph would have given context without getting anywhere near the copyright. John ----- Original Message ----- From: "M. Vrzoc" <vrzoc@YAHOO.COM> To: <HIGHLA-L@LISTS.PSU.EDU> Sent: Friday, August 02, 2002 6:36 PM Subject: Re: [HL] The Void ... Amanda Tapping interview > > Amanda Tapping lost huge points w/ me by stating in interviews her blushing > > relief that AP had the expertise in love scenes to avoid their touching > > intimate "bits" ... what a freak. She also said she had a no nudity clause > > so they used a body double, & it really shows in the film--very badly done. > > Just so people get a sense of the context in which AT made this statement, > I'm including the ENTIRE interview from Cult Times. Sorry for the copyright > violation ... > > Cult Times #69 June 2001 > Interview with Amanda Tapping by Thomasina Gibson > Who'd Live in A House Like This? > > ...scattered, all over the shop, are gifts from adoring fans. Outside, sheets > of rain steadily soak a huddled TV crew. Where else could we be but on > location with Stargate SG-1? > > Now we know what it's like - being ordered around by Stargate SG-1's Major > Carter. "Come on over to my place," said Amanda Tapping, "take a look at > where Sam Carter lives." Knowing what's best for us, and naturally curious to > visit the home where the Major wends her weary way after a hard day at > Stargate Command, Cult Times immediately jumped on a plane to Canada. They > say the sun shines on the righteous, so there must have been some seriously > naughty people around last month. Having decided to ignore the smart advice > about dressing for cold, wet conditions (Stargate SG-1's publicist has > recommended that for years and it's never rained once) we found ourselves > soaked to the skin and chilled to the bone, having arrived at their location > site during what can only be described as a downpour of biblical proportions. > Still, the warmth of the welcome extended by the show's cast and crew made it > all worthwhile. Take it from one who knows - production teams rarely break > into smiles nor offer hugs to journalists who appear in their midst. > > The residents of the city are used to carrying on in the face of the > paraphernalia that accompanies a film crew, and the good folk living in the > North Vancouver suburb chosen as the location base appeared oblivious to the > activity going on in their seemingly ordinary street. Well, it would have > been like a regular street had it not been for umpteen police cars scattered > across the road; the big, white van disgorging space-suited figures carrying > radiation detectors; and the arc lights illuminating the whole scene even > though it was barely midday. Sam Carter's home is actually a colonial style > property belonging to a local resident who has given permission for the house > to be used as a set. If you ignored the sight of the neighbours making > valiant attempts to stay behind the drapes and blinds at their own windows, > and the team of camera operators, sound technicians, runners and assistants > scurrying to and fro between the very lovely house and a makeshift rain > shelter opposite, it could resemble an average, quiet, suburban scene > anywhere in North America. > > Richard Dean Anderson (Colonel Jack O'Neill), who says he'd only popped > outside to see what was going on, has managed to drench one of the crew. > Apologizing profusely, Anderson innocently claims, "I was only trying to > direct the water off the tarpaulin," but the fact that he'd waited till the > victim stood directly under the point where the water would run off did not > go unnoticed. Meanwhile, we're huddled under the barely adequate shelter > observing executive producer Michael Greenburg direct the second unit. Eager > to not get any wetter ourselves, we decide to venture inside Major Carter's > house. > > Just inside the entrance to the two-storey building, the 'bootie police' > pounce on us to make sure that no one ventures any further with wet shoes. > Made out of the same material as disposable wash cloths, these very fetching, > elasticated over-boots make sure that the flooring inside the building is > protected at all times. Whoever said working on a film set was glamorous has > obviously never had to wear these. > > Squeezing past the numerous bodies packed into the hallway preparing for the > next scene, we emerge into a very light, homely living room to be greeted by > the major herself. "Don't I have a nice house?" she beams. "Do you like my > river rock fireplace? I built it myself. And I have an amazing car. Did you > see my car?" I did. > > Silver grey and gorgeous, it's parked outside the front door. > > As excited as a schoolgirl, Amanda Tapping is thrilled to finally be given > the opportunity to show a private part of her character's life. "This is a > huge, huge episode for Carter," she begins. "We get to see where she lives. I > get to wear normal clothes. I drive an amazing car. It's sweet. You know > what? I think Carter is very cool. She has a 1940 Indian motorcycle; a 1961 > beautiful, mint, vintage Volvo and she's got a Harley in her garage that > she's working on, too. How great is that?" > > Agreeing that it certainly is wonderful, we ask about an interesting rumour > that we've heard about Carter's life. Bashfully, she reveals, "I have a man. > Of course, at first nobody believes he exists. He's a bit like 'my imaginary > friend'. Actually it's a great episode for me because everyone thinks I'm > crazy and plays into the fact that Carter has no life outside the SGC. They > play into the fact that she never relaxes, so they keep saying things like > 'take it easy', 'rest' and 'go home'. So you get to see her house and see > that she does have a normal life." > > "My boyfriend is played by Adrian Paul from Highlander, and there is a very > rude scene" > > Scoffing at the very idea the actress shrugs, "It's not like she's a complete > loser, you know. Well, she might be a little bit of a loser, but not > totally." Flapping the edge of her cardigan whilst waving her foot about, she > goes on. "I'm loving this episode. I'm wearing funky clothes, well, normal > clothes, and I'm out of my army boots!" she yells. "Look, I'm wearing > ordinary shoes." Clearly used to these impromptu outbursts, the rest of the > crew give Tapping's feet a brief glance before carrying on with their work, > although make-up artist Jan Newman can't quite smother a little giggle. > > "What else can I tell you?" Tapping wonders, unperturbed. "The second episode > in was a great episode for Christopher Judge [Teal'c] - he did a terrific > job. We've got scripts up to episode five but that's all I can tell you > because, of course, actors are the last to know what's going on. I don't know > if we 're doing a sixth season or a movie or both." > > According to her fellow actors and colleagues, one of the most endearing > things about this woman is that she falls for any sort of joke. Teasing her, > saying that we know what's going to happen but won't tell her, Tapping jumps > up and moans, "Oh, for crying out loud. I'm going to have to wait till I read > about it in this magazine, aren't I?" > > Tapping may not have been able to shed much light on the future of Stargate > SG-1 but she has lots to say about the film she made in the hiatus between > Seasons Four and Five. "I did a movie called The Void which has already been > pre-sold to Europe." Smiling, she says, "I had the lead and play a physicist > again. I only get to play smart women, I don't know why, but this time the > character does have a life. She actually has sex - which Sam Carter never > does." Perish the thought! > > "My boyfriend is played by Adrian Paul from Highlander, and there is a very > rude scene." Blushing to the tip of her head, she smiles, "Now I've only ever > done one love scene before and that was for network television, so it was > very safe. But this is a movie - which is not so safe." Speaking very slowly > so I don't miss a word, she explains, "I have a very strict no nudity clause > in my contract, so the boobies you see in this movie are not mine. I haven't > seen the finished piece yet, so can only hope they're nice. It's a very > strange thing being an actress with a no nudity clause and then realizing > that they are going to substitute your body and people are going to think > it's you. They are supposed to think it's you." Grateful for her co-star's > professionalism, Tapping says, "Adrian was wonderful to work with. He had > done a lot of love scenes and knew exactly what was OK. He knew exactly where > to put his body so that we didn't have to touch, you know... bits. He's a > lovely person. Of course, there is no comparison to Richard Dean Anderson, > who is the best, but he was lovely all the same. > > Sparing her blushes - Tapping had become all flustered by this point - we > turn to another source of delight, which was the actress's first encounter > with veteran actor Malcolm McDowell (A Clockwork Orange). "I was so terrified > about working with him in The Void because he's a legend, but it turns out > Malcolm is one of the nicest and sweetest people I have ever met. In the > first scene we rehearsed together he comes in and says in that wonderful, > wonderful voice, 'You've been a very busy and a very naughty girl', and > though I'd literally just met him I went to say my first line and just burst > out laughing because Malcolm McDowell bad called me naughty." > > The very thought sets her off again, so to calm down she concentrates on bet > present home. "Have you seen the pictures?" she queries. Indicating the > photographs liberally dotted around the toom, Tapping proudly shows off her > teal family. "There's my grandmother, who is 100 years old, and my > grandfather who is like an English version of Elmer Fudd. And that's me and > my twin." Although she is only ten months old in the picture, Ms Tapping has > hardly changed a bit. The smile and the sparkly eyes are clearly evident. "I > wanted the place to look like my own home so I brought in some of my personal > things." Pointing to two quilts that cover the settee and chair she says, > "Those were sent to me by a fan. Quite a few of the things in here were. I > brought them because my fan mail is just piling up and I haven't had a chance > to answer everyone but then realized this is something I can do to thank > people. I can have their gifts in my episode." Tapping is most insistent that > people refrain from sending her things and states, "This is just a general > 'thank you' to acknowledge all the fans, all they've done for the show and > the blessings they bestow on us. Nothing they do is taken for granted by any > of us." > > It's almost 7pm and most of the cast and crew have been here since early > morning, but there are still some scenes left to shoot. Following Tapping > down to the garage level, we're there for a further hour or so whilst the > 'discovery scene is rehearsed and blocked. They may be nearing the end of a > 14-hour day but humour is still high on the agenda. Privileged to find out > what the big secret is, Michael Greenburg - this time huddled in a shelter > outside the garage - warns that the publicist may have to resort to axe > murder if we reveal said secret. He needn't worry. All he has to do is > threaten to stand us out in the rain for hours next time we visit Stargate > SG-1. You'll have to watch the episode on Sky 1 this autumn to find out for > yourself. > > > > ===== > M. Vrzoc > vrzoc@yahoo.com > > ______________________________________________________________________ > Post your ad for free now! http://personals.yahoo.ca ------------------------------ Date: Fri, 2 Aug 2002 20:07:29 +0100 From: Jette Goldie <jette@blueyonder.co.uk> Subject: Re: The Void ... Amanda Tapping interview John > Er....not sure you needed to post the entire interview to make the point. I > think a paragraph would have given context without getting anywhere near the > copyright. > Heh! How did I know you'd say this? ;-) Jette (aka Vinyaduriel) "Work for Peace and remain fiercely loving" - Jim Byrnes jette@blueyonder.co.uk http://www.jette.pwp.blueyonder.co.uk/ http://bosslady.tripod.com/fanfic.html ------------------------------ Date: Fri, 2 Aug 2002 20:21:10 +0100 From: "John Mosby (B)" <a.j.mosby@btinternet.com> Subject: Re: The Void ... Amanda Tapping interview Oh God. Predictable. The shame of it. :) ----- Original Message ----- From: "Jette Goldie" <jette@blueyonder.co.uk> To: <HIGHLA-L@LISTS.PSU.EDU> Sent: Friday, August 02, 2002 8:07 PM Subject: Re: [HL] The Void ... Amanda Tapping interview > John > > > Er....not sure you needed to post the entire interview to make the point. > I > > think a paragraph would have given context without getting anywhere near > the > > copyright. > > > > > Heh! How did I know you'd say this? > > ;-) > > Jette > (aka Vinyaduriel) > "Work for Peace and remain fiercely loving" - Jim Byrnes > jette@blueyonder.co.uk > http://www.jette.pwp.blueyonder.co.uk/ > http://bosslady.tripod.com/fanfic.html ------------------------------ Date: Fri, 2 Aug 2002 21:04:34 +0200 From: Marina Bailey <tmar@sifl.iid.co.za> Subject: Re: The Void (no spoilers) M. Vrzoc >PS: They got a body double for Amanda for the nude love scenes but AP stepped >up to the plate and did his own. Please. We've seen the man's chest, butt and various other parts of his anatomy (Amanda - the HL one - was right - he has nice legs). So he's CERTAINLY not shy. Reminds me of a limerick I saw on a HL- related list: An actor named Adrial Paul Was muscular, handsome, and tall "Oh! Beefcake for you I just will not do," Said he as he bared nearly all. <g> I suppose Amanda Tapping, when talking about the only other sex scene she'd ever done, was referring to her X-Files episode, "Avatar". Well, at least she got the hunk of the show there too - Skinner! :) - Marina. (Hey, Tarryn, did you ever get my last email??) \\ "You've heard it said that living well is ||>>>>>>>>>>>>>>> // // the best revenge? Au contraire - living || R I C H I E >> \\ \\ forever is the best revenge." - Lacroix ||>>>>>>>>>>>>>>> // //=====Marina Bailey====tmar@sifl.iid.co.za====|| \\ \\=============Chief Flag Waver and Defender of Richie============// Discussing Voyager: Me: What happened to Seven? My brother: She stumbled into a plot device. ------------------------------ Date: Fri, 2 Aug 2002 15:14:19 -0500 From: Jen Allen <jen_dave_allen@yahoo.com> Subject: Re: The Void ... Amanda Tapping interview Nina said: > > Amanda Tapping lost huge points w/ me by stating in interviews her > blushing > > relief that AP had the expertise in love scenes to avoid their > touching > > intimate "bits" ... what a freak. She also said she had a no > nudity clause > > so they used a body double, & it really shows in the film--very > badly done. M. helpfully supplied the article: > Just so people get a sense of the context in which AT made this > statement, I'm including the ENTIRE interview from Cult Times. She just sounds rather shy and sweet to me. Not freaky in the least. Besides, she's right. Jack O'Neil is the best. <g> Jen __________________________________________________ Do You Yahoo!? Yahoo! Health - Feel better, live better http://health.yahoo.com ------------------------------ End of HIGHLA-L Digest - 2 Aug 2002 - Special issue (#2002-111) ***************************************************************